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“Is there a less ‘feminine’ woman artist of her generation? Probably not. Even Krasner’s favorite pink, a domineering fuchsia that raps hotly on the eyeball at fifty paces, is aggressive, confrontational; and when her line evokes eros, its grace is modified by a rough, improvisatory movement, a distrust of quick visual acceptance.”
Source: Robert Hughes, Nothing if Not Critical
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American & European Art: Ball Brothers Foundation Gallery, Bay 4»